“Turned out you were just like us.So, it turned out you were just like us!Where were you hiding all this time, buddy?That stupidity, that ignorancewe wallowed in for a century –look, it arrived at your shores too!Many congratulations to you! “(तुम बिल्कुल हम जैसे निकलेअब तक कहाँ छुपे थे भाईवो मूरखता वो घामड़-पनजिस में हम ने सदी गँवाईआख़िर पहुँची द्वार तुहारेअरे बधाई बहुत बधाई )This was written by noted India-born Pakistani poet and human rights activist Fahmida Riaz three decades ago, after the demolition of the Babri Masjid at Ayodhya on December 6,1992, by the Hindutva oriented Karsevaks of the Rashtriya Swayamsevak Sangh (RSS) led Sangh Parivar. Thirty years have passed since then and the Hindutva extremists who once occupied the fringes of Indian society have not only moved on to the centre stage of polity and society, but have a stranglehold across these domains. In many ways, contemporary India looks a mirror image of Pakistan, where religious fundamentalism has been the domineering trait of society and politics for decades, right from its inception. However, there is considerable churning happening in the Pakistan civil society in recent times and in the following nuanced observation, Resmi P Bhaskaran, Policy Analyst, points out how the civil society’s response to sexual abuse in the neighbouring countries is significantly different. The analysis specifically takes into consideration the situation that exists in the country in the context of the agitation of the female wrestlers against sexual abuse. Resmi points out that the civil society in Pakistan seems to be moving towards a positive and judicious response, the Indian civil society is getting engulfed more and more by sectarian positions, marked by total absence of compunction and sense of probity.Read on – Editor, The AIDEMScene 1: Pakistan “Tere Bin” is a popular Pakistani drama starring talented actors such as Yumna Zaidi, Wahaj Ali, and Bushra Anzari. It has garnered over 30 million views per episode and has recently sparked a social media debate due to a controversial scene depicting marital rape.“Tere Bin” distinguishes itself through the portrayal of an alpha male character’s evolution into an understanding husband of a forced cousin marriage within a feudal family. Husband signs a contract based on his wife’s terms, agreeing to a marriage that exists only on paper. Their conflicting personalities and growing feelings for each other create a continuous struggle throughout the narrative.In one intense conflict scene where the husband angrily closed the bedroom door, implying his intention to force himself on his wife. The writer’s public justification for including this portrayal of marital rape as a necessary for the story’s progression; sparked a heated debate on marital rape. Viewers strongly rejecting violence and emphasizing that rape remains rape, even when committed by spouse.Viewers criticized the writer, content team and even actors for portraying normalization of marital rape and the problematic nature of story’s portrayal of a happy ending between the victim and the perpetrator. Critics argued that such portrayal reinforces the perception of marital rape as a normal occurrence in a patriarchal society like Pakistan, despite being unacceptable by law or religion.<img src="https://strapi.bangalore2.com/uploads/image_2023_06_01_112917484_768x377_1_9600fd6249.png" alt="image_2023-06-01_112917484-768x377 (1).png"> Screengrab from Tere Bin (TV Series, 2022)Furthermore, the popular male lead character, initially seen as a role model, as he respected the wife’s rights and sought her consent; being scrutinized for embodying toxic traits prevalent in society. These discussions shed light on the suffering of women in forced marriages and the importance of consent.People expressed the opinion that the media should reconsider endorsing such crimes as plot devices, especially when it sacrifices the dignity of the female characters. Discussions indicate a positive shift in societal awareness in Pakistan, prompting conversations about marital rape prevalence and the significance of consent in relationships. The discussions also serve as a reminder that rape is a heinous crime that cannot be forgiven under any circumstances.However, it is important to consider whether the public would react similarly if the story involved different social class and power dynamics. Additionally, discussions undermined legal or religious recourse for victims, despite the absence of criminalization of marital rape in Pakistan. Nevertheless, the ongoing debate on marital rape in “Tere Bin” contributes to raising awareness and challenging societal norms, reinforcing the idea that consent should always be prioritized in sexual relationships, and condemning forced behaviour.Scene 2: India Six internationally accomplished women wrestlers, including a minor, have accused Brij Bhushan Sharan Singh, a BJP Member of Parliament and President of the Wrestling Federation of India, on seven charges of sexual abuse. Despite reporting the incidents, their pleas were ignored by authorities. Since April 23, 2023, they have been protesting on Jantar Mantar, New Delhi. The allegations against Singh are severe, with the victim facing threats of murder if they spoke out. The wrestlers, celebrated for their international achievements, lived in fear, humiliation, and continuous trauma while the authorities turned a blind eye.<img src="https://strapi.bangalore2.com/uploads/image_2023_06_01_113319992_2_5db7ecd5a4.png" alt="image_2023-06-01_113319992 (2).png"> Brij Bhushan Sharan SinghThe wrestlers had no choice but to take to the streets, demanding justice and the arrest of the accused. Unfortunately, their efforts were met with a lack of response and intimidation from the government. The involvement of the Supreme Court compelled the Delhi police to file an FIR on April 27. However, even now no investigation or look-out notice has been issued, disregarding law especially the POCSO law. The complacency of the law-and-order system in this case, despite the victims being national icons, is evident. Meanwhile, the accused has a criminal record, including charges of murder and rape.<img src="https://strapi.bangalore2.com/uploads/Whats_App_Image_2023_06_01_at_11_51_03_1_300x300_2_d36b428bcd.jpeg" alt="WhatsApp-Image-2023-06-01-at-11.51.03-1-300x300 (2).jpeg"> Women protesters being stamped on with police bootsAlthough the protesting wrestlers have received support from opposition parties and other sources, it is insufficient to awaken civil society’s consciousness. Unlike the media’s fervent coverage and public support during the 2012 Nirbhaya case, the media’s role in 2023 has been muted, leaving raising questions about why the accused remains free and why the ruling party ignores grievances of the wrestlers. This further diminishes public’s trust in the media.Furthermore, according to the POCSO Act and sexual harassment Act, it is crucial to remove the accused from their positions to prevent manipulation or influence over the investigation. Why has the government and the BJP not taken steps to strip Singh of his positions? This failure to act indicates that members of the ruling party can evade the legal process and potential punishment. It grants culprits immunity in similar cases, reinforcing the belief that the law-and-order system favours the powerful. In this case, the victims cannot be considered ordinary individuals as they are public figures.<img src="https://strapi.bangalore2.com/uploads/image_2023_06_01_112000594_2_c410f5c415.png" alt="image_2023-06-01_112000594 (2).png"> Wrestlers Protest in New Delhi (2023)On May 28, 2023, the wrestlers were forcefully arrested and their protest site was dismantled by the Delhi police. However, the public outcry remains minimal, and only a few people speak out against these abuses. This raises questions about the shift in public perception regarding sexual harassment between 2012 and 2023. Has the severity of the crime become less significant when it involves a habitual offender who represents ruling party in the Lok Sabha, compared to the Nirbhaya case involving slum dwellers?Today, despite legal provisions and complaint processes, the wrestlers have to protest to get justice. Does this indicate social and judicial consciousness is determined by the dynamics of socio-economic and political status of both the victims as well as perpetuators? Can we conclude that the public response to sexual abuse in India is influenced by the hierarchical position of who inflicted the crime on whom, in other words the public outcry for righteous justice depends less on the gravity of the crime, but more on who committed it? The role of media in shaping such public consciousness is visibly evident and which is dangerously leading to a lawlessness condition.Marital rape to sexual assault at work placeIndia, in comparison to Pakistan, is known for its modern legal system that upholds principles of social justice and equity. The enactment of the POCSO Act in 2012 and the Nirbhaya case shed light on the issue of sexual harassment of children and women in India. The legal framework provides clear definitions, particularly addressing sexual abuse of minors and workplace harassment. However, the Supreme Court is still deliberating on defining and criminalizing marital rape, lacking a definitive stance on the matter. India has yet to witness a widespread public debate on marital rape similar to the “Tere Bin” moment in Pakistan. <img src="https://strapi.bangalore2.com/uploads/image_2023_06_01_112413657_2_9494ec6526.png" alt="image_2023-06-01_112413657 (2).png">Representative ImageWhile there is clarity within the judicial system regarding sexual assault, actual discharge of justice is often denied and delayed, especially when the perpetrator holds positions of power. At the same time, the victims are further victimized by the system and society at large. The Nirbhaya incident (2012 gangrape of a girl in Delhi, the national capital) served as a wake-up call, raising public awareness on such issues. However, in the past decade, many sexual harassment cases have received mixed responses, particularly when the perpetrator comes from the top echelons of society and the victims belong to lower social classes or marginalized groups. This suggests that a society striving for equality and social justice compromises its values by responding to crimes based on the social status of the involved parties. Erosion of the public’s moral and social values has, eventually, resulted in weakening of the implementation of judicial provisions.The plight of wrestlers seeking justice is all the more disconcerting and agonizing in a polity and society that claims to honor the “daughters of the nation.” Yet, the civil response to this incident, even after nearly 40 days, is a grave concern. It highlights a fractured consciousness and a society divided at various levels, leaving individuals isolated in their own worlds. This creates an ideal environment for authoritarianism and a socio-political climate that helps cement the privileges of the privileged. The unravelling of the social fabric is a perilous sign of a failing State and a lost society.When it comes to harassment of women, response of neighbouring countries may vary on the basis of social development. Factors such as cultural norms, legal frameworks, and societal attitudes can influence the prevalence of and response to harassment. India and Pakistan are at different levels of gender development. Nevertheless, the recent incidents indicate that Indian civil society’s sense of awareness and responses towards gender-based violence and discrimination are muted, while Pakistan civil society is showing signs of waking up.<span style="-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Read this article in <a style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-indent:0px;text-transform:none;transition:all 0.4s ease 0s;white-space:normal;widows:2;word-spacing:0px;" target="_blank" rel="noopener noreferrer" href="https://theaidem.com/hi-policy-analyst-looks-at-civic-responses-towards-sexual-abuse/">Hindi</a><span style="-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">, <a style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-indent:0px;text-transform:none;transition:all 0.4s ease 0s;white-space:normal;widows:2;word-spacing:0px;" target="_blank" rel="noopener noreferrer" href="https://theaidem.com/ml-policy-analyst-looks-at-civic-responses-towards-sexual-abuse/">Malayalam</a>

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This was written by noted India-born Pakistani poet and human rights activist Fahmida Riaz three decades ago, after the demolition of the Babri Masjid at Ayodhya on December 6,1992, by the Hindutva oriented Karsevaks of the Rashtriya Swayamsevak Sangh (RSS) led Sangh Parivar.

Reel to Real: Civic Responses Towards Sexual Abuse in India and Pakistan

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Monday, January 8 secured a major win for woman survivor Bilkis Bano and her valiant battle for justice for the murder of seven members of her family, including three year old baby

Bilkis Banu Case: Supreme Court strikes down Gujarat High Court Verdict

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The Women Who Fought for Justice for Bilkis Bano

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The Infinite Violence of Everyday: Taking Elimination of Violence on Women Seriously

Malayalam (ml)

Tamil (ta)

English (en)

Hindi (hi)

Telugu (te)

Kannada (kn)

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Dancing To Her Tune

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An Unwritten National Autobiography

<img src="https://strapi.bangalore2.com/uploads/images_1_6258d15665.jpeg" alt="images-1.jpeg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_1_6258d15665.jpeg 245w,https://strapi.bangalore2.com/uploads/small_images_1_6258d15665.jpeg 500w," sizes="100vw" width="undefined" height="undefined"><div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(85, 85, 85);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">People who read literature in India knew him, MT Vasudevan Nair. Language was no hurdle for his works to reach out beyond the state borders of Kerala. While Malayali diaspora took a handful of nostalgia along to the places they went, a little bit of MT was also in that.Today, the big business of literature finds translators to translate anything that moves. All tetrapods of literature are given awards that stink of corporate imperialistic nexus. But MT belonged to a different era when blood recognised blood, genius recognised genius. He got translated not once but several times.Basheer, Takazhi and MT were the triumvirate that could transcend the borders and stand tall among the Indian modernist literature. Yes, MT’s literature also had a fair amount of auto-fiction but he hoodwinked it with the magic of text. He was a persuasive minimalist both in writing and in person.An unsmiling MT could generate generations of readers who could smile through tears. MT wrote about a collapsing social structure that divested the old feudal class with their ill-gotten properties. But their social capital remained intact and could exert a lot of influence among the readers by becoming the surrogate emotional ethos of a transition time of Kerala’s socio-political history.<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:1196px;" id="attachment_31084" aria-describedby="caption-attachment-31084"><img src="https://strapi.bangalore2.com/uploads/mt_1024x575_251dd09907.jpg" alt="mt-1024x575.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_mt_1024x575_251dd09907.jpg 245w,https://strapi.bangalore2.com/uploads/small_mt_1024x575_251dd09907.jpg 500w,https://strapi.bangalore2.com/uploads/medium_mt_1024x575_251dd09907.jpg 750w,https://strapi.bangalore2.com/uploads/large_mt_1024x575_251dd09907.jpg 1000w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-31084">MT during his Interview with Sabha TV (Watch <a style="background-color:transparent;box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;margin:0px;padding:0px;transition:0.4s;" target="_blank" rel="noopener noreferrer" href="https://www.youtube.com/watch?v=NttnjeaVqn0">Here</a>)</figcaption></figure>When society evolved into a different being altogether, MT turned to the treasure trove of myths and itihasas to eke out allegories that explained the pain of loss, of class, roots and love. His literature spat on the face of bigotry, whether it was religious or familial. He was so stoically poised in his literature that none could have challenged him and expelled him from the world of literature.MT’s literature spoke of love and separation as vehemently as he wrote about the changing social complexions. But he was not sentimental. There was something in his writing that touched some chord in every reader. Before initiating themselves into Ambedkarite politics, the Dalit ideologues also, in their torturous nights of youth, pined for MT’s characters.Those who call the modernists, Dad Vibes, have really lost the sight of the forest while focusing on shrubs and thicket. MT was a forest that moved, as in the great tragedies. He remained a serious writer while the post modernists fell in the trap of publishers and wrote lightning stories and became laughing stokes.MT remains, so is the MT critique. That’s the beauty of a great writer’s life and of course, death.</div></div>

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MT: A Forest that Moved

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An ‘Overture’ Stringing The Pope, Yesudas and the ‘Songster Chaplain’

<img src="https://strapi.bangalore2.com/uploads/1_cc9df0fe47.png" alt="വലതുപക്ഷവുമായുള്ള-സംവാദത്തിൻ്റെ-വ്യർത്ഥത-1.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_1_cc9df0fe47.png 245w,https://strapi.bangalore2.com/uploads/small_1_cc9df0fe47.png 500w," sizes="100vw" width="undefined" height="undefined"><div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(85, 85, 85);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">When old age shall this generation waste,Thou shalt remain, in midst of other woeThan ours, a friend to man, to whom thou say’st,“Beauty is truth, truth beauty,—that is allYe know on earth, and all ye need to know.” (John Keats, Ode on a Grecian Urn)<img src="https://strapi.bangalore2.com/uploads/6_904b2e9f2a.jpg" alt="6.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_6_904b2e9f2a.jpg 147w,https://strapi.bangalore2.com/uploads/small_6_904b2e9f2a.jpg 470w," sizes="100vw" width="undefined" height="undefined">Siddharth Tagore, Founder Director of Delhi’s <a style="background-color:transparent;box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;margin:0px;padding:0px;transition:0.4s;" target="_blank" rel="noopener noreferrer" href="https://www.facebook.com/artkonsultindia/photos">Art Konsult</a> Gallery is no more. He cannot be contained in such a cold statement, so matter of fact like death itself. Besides the gallery, he founded magazines such as Art and Deal, Travel and Deal and many other publications. Even when he knew that he wouldn’t make any profit out of the publications, he invested money in them because he knew art wouldn’t survive without the literature surrounding it.&nbsp;Yet another venture of Tagore’s was an auction house, namely Art Bull. The name was perfect for a bullish art market of the 2000s. But the glitch was this: Siddharth Tagore was not bullish. Nor was he bearish. He was cherubic, complete with a benign smile on his face and a burning cigarette between his fingers. Whenever I came out after having a meeting with him, I would ask myself, was he cut for this business?&nbsp;Tagore could have been a poet and dreamer like his internationally renowned namesake of yesteryears.. After the pandemic period I met Tagore after a gap of four years at the Visual Art Gallery, India Habitat Centre where Art Konsult had organized a group exhibition. After the inaugural function, I shook hands with him and I realized that his hands had lost the firm grip though the warmth remained. “I have not been keeping well,” he told me.&nbsp;<div class="gallery galleryid-31051 gallery-columns-3 gallery-size-full" style="box-sizing:border-box;margin:30px -8.96875px 0px;padding:0px;" id="gallery-1"><figure class="gallery-item" style="border-width:0px;box-sizing:border-box;display:inline-block;height:auto;margin:0px 0px 1rem;max-width:33.33%;padding:0px 8.96875px 17.9531px;text-align:center;vertical-align:top;width:262.609px;"><img src="https://strapi.bangalore2.com/uploads/c_768x993_a7cec9742c.jpg" alt="c-768x993.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_c_768x993_a7cec9742c.jpg 121w,https://strapi.bangalore2.com/uploads/small_c_768x993_a7cec9742c.jpg 387w,https://strapi.bangalore2.com/uploads/medium_c_768x993_a7cec9742c.jpg 580w," sizes="100vw" width="undefined" height="undefined"></figure><figure class="gallery-item" style="border-width:0px;box-sizing:border-box;display:inline-block;height:auto;margin:0px 0px 1rem;max-width:33.33%;padding:0px 8.96875px 17.9531px;text-align:center;vertical-align:top;width:262.609px;"><img src="https://strapi.bangalore2.com/uploads/b_768x985_3f8fb449e6.jpg" alt="b-768x985.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_b_768x985_3f8fb449e6.jpg 122w,https://strapi.bangalore2.com/uploads/small_b_768x985_3f8fb449e6.jpg 390w,https://strapi.bangalore2.com/uploads/medium_b_768x985_3f8fb449e6.jpg 585w," sizes="100vw" width="undefined" height="undefined"></figure><figure class="gallery-item" style="border-width:0px;box-sizing:border-box;display:inline-block;height:auto;margin:0px 0px 1rem;max-width:33.33%;padding:0px 8.96875px 17.9531px;text-align:center;vertical-align:top;width:262.609px;"><img src="https://strapi.bangalore2.com/uploads/a_7888f94e4b.jpg" alt="a.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_a_7888f94e4b.jpg 121w,https://strapi.bangalore2.com/uploads/small_a_7888f94e4b.jpg 385w,https://strapi.bangalore2.com/uploads/medium_a_7888f94e4b.jpg 577w," sizes="100vw" width="undefined" height="undefined"></figure></div>Then on another occasion, at the same gallery, I met him again, this time without the crowd. He preferred to wear a pair of fading blue jeans and white shirt, a reminder of those romantic 1970s when every youth in West Bengal dreamt of poetry, love and revolution. Jeans and Shirt were the uniform of love and revolution. I think, when Tagore came to Delhi as a young man, he carried those qualities along, plus his sense of dressing. Lovers in those days smoked rather constantly and drank Old Monk Rum.&nbsp;On that day when I met him, Tagore told me that he had quit smoking, which was news to me. I couldn’t have imagined the man without a cigarette between his fingers or at least a packet of cigarettes to fuss with. I understood the gravity of the situation.&nbsp;Then again, we met when Praveen Upadhyay of the Progressive Gallery at Laddo Sarai organized a talk session with art professionals that included Tagore, Prayag Shukla, Vinod Bharadwaj and myself. Tagore was supposed to talk about the art market. When the mike was handed over to him, he fussed with it for a while and said that he always wanted to make it big by promoting young artists, but somehow, he never made huge business.<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:689px;" id="attachment_31054" aria-describedby="caption-attachment-31054"><img src="https://strapi.bangalore2.com/uploads/7_768x511_149563fe01.jpg" alt="7-768x511.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_7_768x511_149563fe01.jpg 235w,https://strapi.bangalore2.com/uploads/small_7_768x511_149563fe01.jpg 500w,https://strapi.bangalore2.com/uploads/medium_7_768x511_149563fe01.jpg 750w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-31054">Siddharth speaking to the media at Art Konsult</figcaption></figure>Then I remembered Tagore telling the same during the market boom years that lasted in India for around ten years starting from 2005 to 2015. In 2008, the world market had collapsed, but the Indian art market using its cunning and reserve withstood the pressures and dragged the impending failure for a few more years only to revive itself by the beginning of the third decade of the new millennium.&nbsp;Had Tagore acquired a penchant for failure despite his resilience in running a gallery, publications and an auction house for over three and a half decades ? Did he enjoy calling himself a failure in the art market? Was he romantically involved with the idea of failure even when he kept others who were with him in the business, floating? I don’t know for sure. But Tagore remained grounded and rooted; he tried his best to keep himself away from the nefarious market practices.&nbsp;There were a few people who stood with Tagore in his highs and lows (lows that lasted for not some months but for years together), never deserting him, following his orders. Prashant Seal and Rajula Bisht are two people I remember. These two people have been so close to his heart and even after his twin daughters joining him in the business, both Seal and Bisht never lost their position as the confidantes of Tagore. He loved them like family.&nbsp;I met Siddharth Tagore in 1995. He had started Art Konsult in Hauz Khas Village. Meena Tagore (now Meena Varma) was with him then. Late Vijayan Kannanpally was the editor of Art and Deal. With the growth of art scene, Tagore’s gallery also grew in stature. Art Konsult was one of the few A listed galleries in the city. Tagore took it to South Delhi’s art district, Laddo Sarai during the boom years and later relocated it to Hauz Khas again.&nbsp;<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:562px;" id="attachment_31055" aria-describedby="caption-attachment-31055"><img src="https://strapi.bangalore2.com/uploads/0_768x512_88eabd3bbc.jpg" alt="0-768x512.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_0_768x512_88eabd3bbc.jpg 234w,https://strapi.bangalore2.com/uploads/small_0_768x512_88eabd3bbc.jpg 500w,https://strapi.bangalore2.com/uploads/medium_0_768x512_88eabd3bbc.jpg 750w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-31055">Siddharth Tagore with art critic and curator Jyoti A Kathpalia at the Art Konsult, New Delhi</figcaption></figure>It was in his Laddo Sarai phase that I joined him as the Editor of Art and Deal. It was the same when he decided to start Art Bull and Travel and Deal. I brought out around ten issues of Art and Deal between 2010 and 2013, with a gap in 2012 when I joined the United Art Logistics to establish the United Art Fair. Tagore literally lent me to the other organization with a promise that I could walk into the editor’s office at any time that I wanted. And I did go back.&nbsp;As a part of Tagore’s team, he gave me full freedom to edit the magazine and curate exhibitions. I curated a few shows and introduced a few new artists of which some are very reckonable names in today’s art scene. The exhibition ‘Merging/Submerging’ was a showcasing of contemporary photography art and ‘R.A.P.E’ (Rare Acts of Political Engagement), an all-woman show responding to the brutal murder of Nirbhaya in Delhi. This exhibition was a super hit and was discussed in all the print and television media. Art Bull did do a couple of exhibitions and auctions. I did not take much interest in it though Tagore hoped that his auction house could change the scenario and also break certain monopolies. Tagore also initiated an Art History Lecture series which I conducted on his behalf.&nbsp;Siddharth Tagore remained true to his calling. With a kind of detachment, he sponsored exhibitions that he knew well, would not bring any business. He was an avid collector of folk and tribal art and together with Meena Varma, he initiated an organization called ‘Art of the Earth’ for promoting the folk and tribal art of India, much before the ‘folkploitation’ of today’s art market became rampant. Tagore helped whoever came to him with a request for an exhibition or an immediate financial relief. &nbsp;<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:640px;" id="attachment_31053" aria-describedby="caption-attachment-31053"><img src="https://strapi.bangalore2.com/uploads/3_e1734762508660_669x1024_7c977a7959.jpg" alt="3-e1734762508660-669x1024.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_3_e1734762508660_669x1024_7c977a7959.jpg 102w,https://strapi.bangalore2.com/uploads/small_3_e1734762508660_669x1024_7c977a7959.jpg 327w,https://strapi.bangalore2.com/uploads/medium_3_e1734762508660_669x1024_7c977a7959.jpg 490w,https://strapi.bangalore2.com/uploads/large_3_e1734762508660_669x1024_7c977a7959.jpg 653w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-31053">Siddharth Tagore signing the <a style="background-color:transparent;box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;margin:0px;padding:0px;transition:0.4s;" target="_blank" rel="noopener noreferrer" href="https://amzn.in/d/4TijcgO">book</a> “Ganika- In the visual culture of the 19th-20th Century India” at the Art Konsult</figcaption></figure>&nbsp;<img src="https://strapi.bangalore2.com/uploads/4_560x1024_090314e000.jpg" alt="4-560x1024.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_4_560x1024_090314e000.jpg 85w,https://strapi.bangalore2.com/uploads/small_4_560x1024_090314e000.jpg 273w,https://strapi.bangalore2.com/uploads/medium_4_560x1024_090314e000.jpg 410w,https://strapi.bangalore2.com/uploads/large_4_560x1024_090314e000.jpg 547w," sizes="100vw" width="undefined" height="undefined">When artists in Calcutta packed their wares and set out for Delhi, they knew Siddharth Tagore was there if nothing else worked (perhaps he was their primary destination), along with cigarettes and Old Monk Rum. He never discouraged the people who came to him with a clear intention to exploit. He was not cautious about relationships that brought him a fair amount of heartburn. As I said elsewhere, Tagore was a poet in his heart, with a heart ready to bleed for love and art.</div></div>

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