<span style="-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">This Part 2 of the discussion on the ground situation in Manipur between a veteran journalist, academic observer and a social activist student unravels the scale and intensity of the hardships faced by the people of the State. Interaction anchored by senior journalist Anand Haridas. Watch Part 1, <a style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-indent:0px;text-transform:none;transition:all 0.4s ease 0s;white-space:normal;widows:2;word-spacing:0px;" target="_blank" rel="noopener noreferrer" href="https://theaidem.com/a-closer-look-at-indias-northeastern-state-manipur-part-one/">here</a><span style="-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">.

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This Part 2 of the discussion on the ground situation in Manipur between a veteran journalist, academic observer and a social activist student unravels the scale and intensity of the hardships faced by the people of the State. 

How Long the Refugee Camp Existence for People of Manipur?

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Prime Minister Narendra Modi’s belated response on the Manipur violence, especially the sexual crimes that have sensationally unravelled over the past few days, is the focus of this AIDEM interactions.<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Two young women socio-political-legal observers- Delhi based PhD student Kim and Supreme Court lawyer Thulasi K Raj- analyse the Prime Minister’s statement and the responses it has generated not only in Manipur but the country as a whole, with a special emphasis on the North Eastern States. Kim and Thulasi point out that beyond the emotional rhetoric, the Prime Minister and his associates in the governments at the Centre and the State have to take more substantive measures to rebuild Manipur and trust among the people.

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Prime Minister Narendra Modi’s belated response on the Manipur violence, especially the sexual crimes that have sensationally unravelled over the past few days, is the focus of this AIDEM interactions.

Analysing Modi’s Belated Response on Manipur Violence

Two months on and embers of hatred in Manipur are showing no signing of dying out yet. Two academics from the hilly State, involved in relief work and a veteran journalist who covered the region extensively explain the larger factors that perpetuate the turbulence in the State.The AIDEM presents this detailed interaction anchored by senior journalist Anand Haridas in two parts. Watch part 1 here.<div class="mdp-liker-box after-content two-buttons style-border-fill row-right" style="--mdp-liker-bg-color-active:rgba(255, 33, 40, 1);--mdp-liker-bg-color-hover:rgba(255, 33, 40, 1);--mdp-liker-bg-color:rgba(255, 33, 40, 1);--mdp-liker-border:1px;--mdp-liker-radius:50px;--mdp-liker-text-color-active:rgba(255, 255, 255, 1);--mdp-liker-text-color-hover:rgba(255, 255, 255, 1);--mdp-liker-text-color:rgba(255, 33, 40, 1);box-sizing:border-box;font-size:initial;font-weight:initial;margin:0px;padding:0px;" id="mdp-liker-23106" data-memory="on"><div style="align-items:center;box-sizing:border-box;display:flex;justify-content:space-between;margin:0px;padding:0px;"><div class="mdp-liker-description" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(85, 85, 85);font-family:Manjari;font-size:medium;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;max-width:60%;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">&nbsp;</div></div></div> &nbsp;

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Two months on and embers of hatred in Manipur are showing no signing of dying out yet. Two academics from the hilly State, involved in relief work and a veteran journalist who covered the region extensively explain the larger factors that perpetuate the turbulence in the State.

A Closer Look, as Manipur Continues to Burn

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Manipur government’s mind boggling order declaring Easter Sunday as a working day was withdrawn following widespread public protests, but the sectarian, undemocratic and unconstitutional nature of the government move continues to rankle the people of the State as a whole. In this interaction, Rev Dr J Lamboi Haokip, Indigenous Community Leader, Community Health Volunteer, Rev T Karang of Manipur Baptist Convention and social activist Hejang Misao discuss the situation in the State on the eve of Easter with Venkitesh Ramakrishnan, Managing Editor of The AIDEM.<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">The discussion highlights the colossal absence of people oriented governance in the State and the sectarian political manoeuvres, which aggravate the situation. The panelists underscored the need for concrete measures from the union government, especially Prime Minister Narendra Modi, to address the conflict situation in the State that has continued unabated over the past 11 months.

"Manipur Gets Back Easter Holiday, But the Misery of the People Continues Unabated"

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">In this detailed interview with senior journalist Anand Haridas, Inner Manipur MP Dr. Bimol Akoijam dwells on of his multifaceted life, including his latest role as a politician, as well as his illustrious career as a filmmaker, writer and educationist.<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">&nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">With the unprecedented majority he has got in the elections Dr. Bimol Akoijam has literally become the voice of Manipur. He highlights the gross and callous indifference that Prime Minister Narendra Modi has shown towards his trouble torn State and points that this would have grave consequences for the entire North East.<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">&nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(39, 39, 39);font-family:Manjari;font-size:18px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.7;margin:0px 0px 15px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Dr. Akoijam also spoke at length about the roots of the Manipur issue, the dramatic changes in the higher education environment as well as the impressions he is carrying back home from Kadamakudy village, where he inaugurated the first International Film Festival. Watch the interview here.

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PM Modi’s Indifference Towards Manipur Will Have Grave Consequences

<img src="https://strapi.bangalore2.com/uploads/images_2024_10_09_T110153_124_c54ac162fa.jpeg" alt="images-2024-10-09T110153.124.jpeg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_2024_10_09_T110153_124_c54ac162fa.jpeg 231w,https://strapi.bangalore2.com/uploads/small_images_2024_10_09_T110153_124_c54ac162fa.jpeg 500w," sizes="100vw" width="undefined" height="undefined"><div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(85, 85, 85);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">The raging question raised by National Award-winning filmmaker and writer Joshy Joseph is “why is Aribam Syam Sharma being brushed under the carpet when it comes to selecting a film celebrity for the Dadasaheb Phalke Award”? Is it because Sharma is from the North East, an area marginalized deliberately by all and sundry linked to prestigious awards in the country? Or, is it because he prefers to live a low-key life away from the hullabaloo of celebrity circuses rampant in the media? Perhaps, it is a blend of both considering that he has been kept away from the Dadasaheb Phalke Award though he has won 19 National Awards and umpteen international awards over time.Joshy Joseph has taken great pains to make a long documentary on the filmmaker titled, “Aribam Syam Sharma- Laparoscopic cinema” [<a style="background-color:transparent;box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;margin:0px;padding:0px;transition:0.4s;" target="_blank" rel="noopener noreferrer" href="https://youtu.be/jLfktXJFmK8?si=uuwBut-Nh4wpKwxM">watch here</a>], which, according to Joseph “is an attempt to locate this philosopher-storyteller in the universe of cinema today.” Joshy raises the question that if the Dadasaheb Phalke Award is not bestowed on Aribam Syam Sharma, now 88 years old, when will it be bestowed to him? Or will it ever occur to the Information and Broadcasting Ministry to give him the award?<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:640px;" id="attachment_30159" aria-describedby="caption-attachment-30159"><img src="https://strapi.bangalore2.com/uploads/3_Knq_Jl34_IE_Skug_ESW_8e_Usk_b0152c1265.jpg" alt="3KnqJl34IESkugESW8eUsk.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_3_Knq_Jl34_IE_Skug_ESW_8e_Usk_b0152c1265.jpg 235w,https://strapi.bangalore2.com/uploads/small_3_Knq_Jl34_IE_Skug_ESW_8e_Usk_b0152c1265.jpg 500w,https://strapi.bangalore2.com/uploads/medium_3_Knq_Jl34_IE_Skug_ESW_8e_Usk_b0152c1265.jpg 750w,https://strapi.bangalore2.com/uploads/large_3_Knq_Jl34_IE_Skug_ESW_8e_Usk_b0152c1265.jpg 1000w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-30159">Director Joshy Joseph</figcaption></figure>Aribam Syam Sharma has won six National Awards as Best Director of feature films spanning 1977 to 2013. In 1991, he got the award for Best Producer for the film Inshanou which also fetched him the Best Director Award. Joshy has managed to use clips from some of Sharma’s old films such as Ishanou within his documentary. He bagged the Best Non-Feature film award nine times from 1990 to 2013 under different categories such as The Deer on the Lake in the Best Environment/Preservation category in 1990, Indigenous Games of Manipur in the Best Exploration/Adventure Film (Including Sports) in 1991 and Thang-Ta – Martial Arts of Manipur in The Best Cultural Film Category in 2000. And the list goes on. As if this is not enough, he has bagged three National Awards in the Non-Fiction category as Best Producer. In 1991, 1999 and 2013, he won the National Award in two different categories. One wonders if this is a record for a single person winning National Awards over 36 long years which is proof of the man’s tenacity, determination and excellence.Aribam Syam Sharma “obtained a Masters Degree in Philosophy from Visva Bharati University, Santiniketan. He is a philosopher. He searches for the aesthetic values of every object and understands it thoroughly. And it reflects into his films. Interlacing the aesthetics into a story or a subject, he makes remarkable films. He has also mastered the finest nuances of Manipuri music both as a singer and a musician. In the field of theatre he has proved his mastery as director and actor; and in the field of literature as short story writer and lyricist. Aribam is a multi-faceted personality possessing multiple qualities! Emerging as a genius in Indian cinema, he is recognized internationally,” writes Meghachandra Kongbam, who has made a documentary on this man who is forever concerned about the Manipuri identity which covers the languages of the State, the culture, its music, theatre and its arts. Besides his own mother- tongue, Meitei, he knows English and Hindi, and can speak Bengali fluently. The deepest impression he carries about Indian cinema is in Ritwik Ghatak’s Ajantrik, a story about a small town taxi driver and his close and strange relationship with his jalopy, Jagaddal, which is running out of steam.<figure class="wp-caption aligncenter" style="border-width:0px;box-sizing:border-box;clear:both;display:block;height:auto;margin:15px auto;max-width:100%;padding:0px;vertical-align:middle;width:640px;" id="attachment_30160" aria-describedby="caption-attachment-30160"><img src="https://strapi.bangalore2.com/uploads/640px_Aribam_Syam_Sharma_Working_Photo_fa0f5c5e60.jpg" alt="640px-Aribam_Syam_Sharma_Working_Photo.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_640px_Aribam_Syam_Sharma_Working_Photo_fa0f5c5e60.jpg 216w,https://strapi.bangalore2.com/uploads/small_640px_Aribam_Syam_Sharma_Working_Photo_fa0f5c5e60.jpg 500w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-30160">Aribam Syam Sharma at work</figcaption></figure>Manipuri cinema celebrated 50 years of existence in 2022. The first full feature film, “Matamgi Manipur” was completed and screened in 1972. But it was “Imagi Ningthem” 10 years later which heralded on the global arena the arrival of a brave new world of Manipuri Cinema. Even as “Imagi Ningthem” completed its 40th year last year, and in celebration of Manipur’s first step into the celluloid world 10 years earlier, Joshy Joseph and his team completed a retrospect on Aribam Syam Sharma, the veteran film maker and virtuoso who is not only the director of “Imagi Ningthem” but also has been the tallest captain of this artistic enterprise in Manipur.Aribam is a man of few words. He avoids crowds including the media and chooses to keep to himself as much as he can. This is perhaps justified considering that the media has kept him away from its spotlight because it remains ignorant of the contribution of this great filmmaker to the cinema of India over many years.Aribam Syam Sharma stepped into the world of cinema as an actor, appearing in the first ever Manipuri film, Matamgi Manipur (1972). He made his directorial debut in 1980 with Olangthagee Wangmadasoo (Even Beyond the Summer Horizon), which has the distinction of being the longest-running film in Manipuri history, having a theatrical run that lasted more than thirty weeks, breaking the local box office records of Ramesh Sippy’s Sholay.<figure class="image image_resized" style="width:48.24%;"><img style="aspect-ratio:undefined/undefined;" src="https://strapi.bangalore2.com/uploads/Olangthagee_Wangmadasoo_Manipuri_Film_Poster_27348a9a8a.jpg" alt="Olangthagee_Wangmadasoo_Manipuri_Film_Poster.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Olangthagee_Wangmadasoo_Manipuri_Film_Poster_27348a9a8a.jpg 156w," sizes="100vw" width="undefined" height="undefined"></figure>Joseph says, “I have used a clip each from his two films ’Imagi Ningthem’ and ‘Ishanou’ very sparingly in my film for furthering his aesthetics which is very personal and very rooted too in Manipuri culture. These telling illustrations of a very individual style of a filmmaker expressing through an actor’s entire body is a different take on cinema. He may not yield to the demands of cinema to use a close-up. His ‘technique’ of storytelling is primarily determined by the specifics of his culture. The ‘technological’ demands of cinema are willfully submitted to that of a broader primordial philosophic premise.”Joshy considers biographical documentaries are storehouses of unique stories for cinema. He has done a long documentary on Mahsweta Devi and one on Niraj Mahapatra, the noted filmmaker and cinema teacher from Odisha. He states that he had applied different cinematic styles to each of them. The one on Aribam Syam Sharma is the latest. done a couple of them applying different cinematic styles.Says Joshy, “the most challenging task is to get a biographical film to pulsate with a life of its own.. The camera is a spoiler and it is almost impossible to make a person remain in his/her own elements when the camera is around. You have to develop a rapport over a period of time with whom you make a film and simultaneously annihilate your shooting unit with some kind of black magic. There comes a chance for you to get into a love-hate playfulness with the person in front of your camera.”<img src="https://strapi.bangalore2.com/uploads/images_2024_10_09_T110210_698_8051d994b7.jpeg" alt="images-2024-10-09T110210.698.jpeg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_2024_10_09_T110210_698_8051d994b7.jpeg 216w,https://strapi.bangalore2.com/uploads/small_images_2024_10_09_T110210_698_8051d994b7.jpeg 500w," sizes="100vw" width="undefined" height="undefined">Joshy has steered away from detailing the biographical details of Aribam Syam Sharma’s life as this has already been covered very well by Haobam Paban Kumar as a tribute to his Guru.For the uninitiated, it would help to know that Aribam Syam Sharma lost both his parents at a tender age. His uncle and aunt brought him up and perhaps, so many years later, the pain of loss still seeps through the interview Joshy had with him during the shooting of the film. But one does not really know as he is a very, very private person and does not open out easily about his childhood, his growth, his life, and even, his cinema. When the reality of the loss comes back to him and the emotional turmoil this may have led to, it seems as if a play is being staged.Says Joshy, “I could persuade Aribam Syam Sharma into a kind of in-depth dialogue. I was planning a more or less conventional visual journey at that time. I did not view the footage for quite some years and when I gathered enough courage to experiment on the form, I decided to disarm myself from the visual flourish and confined myself to the contours of his face. I used exactly the opposite idiom in cinema which Syam Sharma himself abhorred. The camera surveys him through a close-up basically, keeping any frilling to the bare minimum. Syam Sharma was not quite convinced about my ‘counter-contour-cinema’. Then he saw the final film himself. His long association with my editor Atish Nandy helped us construct a collective idiomatic audacity. This film ideally should act as a textbook on culture specific cinemas of India.”<img src="https://strapi.bangalore2.com/uploads/images_2024_10_09_T110159_722_8b71d4f77b.jpeg" alt="images-2024-10-09T110159.722.jpeg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_2024_10_09_T110159_722_8b71d4f77b.jpeg 234w,https://strapi.bangalore2.com/uploads/small_images_2024_10_09_T110159_722_8b71d4f77b.jpeg 500w," sizes="100vw" width="undefined" height="undefined">The film is divided into six chapters, each one exploring through long dialogue with the director Joshy, Sharma opens up beautifully. “I had sent the rough cut to Syam Sharma who kept on watching it every night as a kind of ritual for almost a month. He had just one creative suggestion to make which was incorporated in the final film. Editor Atish Nandy and myself are keeping those mutterings from Imphal to ourselves. In retrospect, it appears that we were hit by an asteroid named Aribam Syam Sharma,” Joshy sums up. But to get a closer view, you need to watch the film.<hr>Watch the documentary film based on the life of Aribam Syam Sharma below:<div class="raw-html-embed"><iframe width="640" height="360" src="https://www.youtube.com/embed/jLfktXJFmK8" title="ARIBAM SYAM SHARMA Laparoscopic Cinemascapes" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen=""></iframe></div></div></div>

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Why is Aribam Syam Sharma Neglected When Mithun Chakraborty Gets Phalke Award

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Kannada (kn)

<img src="https://strapi.bangalore2.com/uploads/images_9_45ef5452cd.jpeg" alt="images-9.jpeg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_9_45ef5452cd.jpeg 245w,https://strapi.bangalore2.com/uploads/small_images_9_45ef5452cd.jpeg 500w," sizes="100vw" width="undefined" height="undefined"><div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(51, 51, 51);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">The following article is part of the Trailblazing Women of India series. A series presented by The AIDEM, exploring the lives and ideas of women who played a decisive role in shaping India’s social, political, and intellectual history.The AIDEM underscores the enduring contemporary relevance of revisiting the lives of these women leaders and the ideas they championed. Click <a style="background-color:transparent;box-sizing:border-box;color:rgb(255, 53, 36);display:inline-block;margin:0px;padding:0px;transition:0.4s;" target="_blank" rel="noopener noreferrer" href="https://youtu.be/G_sxvcXO0tg">here</a> to watch the video.<hr>Picture this: It’s 1930. A 27-year-old woman stands before Mahatma Gandhi, telling him he’s making a historic mistake.Gandhi is planning the Salt March. His vision? Men march and women stand on street corners selling salt and singing songs.Kamaladevi Chattopadhyay says: No.“Women have stood shoulder to shoulder with men, building the Congress party. They deserve to march,” she insists.<figure class="wp-caption aligncenter" style="box-sizing:border-box;clear:both;display:block;margin:15px auto;max-width:100%;padding:0px;width:654px;" id="attachment_42087" aria-describedby="caption-attachment-42087"><img src="https://strapi.bangalore2.com/uploads/Kamaladevi_Chattopadhyaya_Leading_a_Congress_march_in_the_early_1930s_a72f010da1.jpg" alt="Kamaladevi-Chattopadhyaya-Leading-a-Congress-march-in-the-early-1930s.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Kamaladevi_Chattopadhyaya_Leading_a_Congress_march_in_the_early_1930s_a72f010da1.jpg 102w,https://strapi.bangalore2.com/uploads/small_Kamaladevi_Chattopadhyaya_Leading_a_Congress_march_in_the_early_1930s_a72f010da1.jpg 327w,https://strapi.bangalore2.com/uploads/medium_Kamaladevi_Chattopadhyaya_Leading_a_Congress_march_in_the_early_1930s_a72f010da1.jpg 491w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-42087">Kamaladevi Chattopadhyaya leading a Congress march in the early 1930s</figcaption></figure>Gandhi concedes. But she’s not finished. “Issue a formal call to action.”“Why?” Gandhi asks. “Don’t you know your sisters?”Her response? Pure political genius: “Because history will record that YOU called them to participate.”&nbsp;History did record it. Women marched beside Gandhi, breaking salt laws. Kamaladevi became one of the first women arrested for civil disobedience. She auctioned “freedom salt” at the Bombay Stock Exchange for Rs. 501. On January 26, 1930, she clung to the Indian tricolour during a scuffle with authorities, refusing to let go.Who was this woman bold enough to challenge Gandhi?Born in 1903 in Mangalore, married at fourteen, widowed at sixteen. She remarried—scandalous. She divorced—one of India’s first civil divorces. In 1926, encouraged by Margaret Cousins, she became the first woman to contest a legislative office, losing by just 55 votes. In 1927, she founded the All India Women’s Conference as its organizing secretary.In 1936, she became a founding member of the Congress Socialist Party, working alongside Jayaprakash Narayan and Ram Manohar Lohia. Yet when we celebrate Indian socialism, we remember only the men.<figure class="wp-caption aligncenter" style="box-sizing:border-box;clear:both;display:block;margin:15px auto;max-width:100%;padding:0px;width:300px;" id="attachment_42084" aria-describedby="caption-attachment-42084"><img src="https://strapi.bangalore2.com/uploads/Kamaladevi_Chattopadhyay_aa0f5dde3b.jpg" alt="Kamaladevi-Chattopadhyay.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Kamaladevi_Chattopadhyay_aa0f5dde3b.jpg 113w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-42084">Kamaladevi Chattopadhyay</figcaption></figure>Her ideas were revolutionary. She connected capitalism, imperialism, and women’s subjection: “This imperial capitalist system encourages endless wars and expects women to produce children who become soldiers.” She challenged glorified motherhood itself.In the 1930s—decades before global women’s liberation—she championed bodily autonomy and birth control. Not for population control, but for women’s choice. She traveled to America, worked with Margaret Sanger, and in 1951 established India’s first family planning commission centered on women’s autonomy.She championed what we now refer as feminist economics, preceding the Feminist Care Ethics Debate by decades. She documented sexual division of labor, wage discrimination, and systematic underpayment of women workers in industrial and agricultural sectors—when labor movements barely acknowledged women as workers.Interestingly, she refused the label “feminist,” understanding that in her hostile patriarchal environment, strategic pragmatism mattered. But her ideas? Profoundly feminist.<img src="https://strapi.bangalore2.com/uploads/Kamaladevi_4_58727afc75.jpg" alt="Kamaladevi-4.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Kamaladevi_4_58727afc75.jpg 216w,https://strapi.bangalore2.com/uploads/small_Kamaladevi_4_58727afc75.jpg 500w," sizes="100vw" width="undefined" height="undefined">After Partition, heartbroken, she resettled 50,000 refugees from the North-West Frontier Province, helping create Faridabad—independent India’s crucial early industrial township. In 1948, she founded and led the Indian Cooperative Union for the rehabilitation of the refugees.Her greatest legacy? Reviving India’s dying crafts as economic empowerment. As chairperson of the All India Handicrafts Board for twenty years, she understood that handicrafts meant livelihoods for millions, grassroots democratic participation, and India’s answer to exploitative industrialization.Her institutions still stand: Indian National Theatre established in 1944, which later became National School of Drama, All India Handicrafts Board established in 1952, Sangeet Natak Akademi in 1953, Crafts Council of India in 1964, and Delhi’s Crafts Museum in 1967. She made Indian handicrafts a major export, serving as an Advisor to the World Craft Council and first President for the Asia-Pacific Region.<figure class="wp-caption aligncenter" style="box-sizing:border-box;clear:both;display:block;margin:15px auto;max-width:100%;padding:0px;width:555px;" id="attachment_42085" aria-describedby="caption-attachment-42085"><img src="https://strapi.bangalore2.com/uploads/Leading_Their_Imperial_Highnesses_to_the_dias_60795d4aa2.jpg" alt="Leading-Their-Imperial-Highnesses-to-the-dias.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Leading_Their_Imperial_Highnesses_to_the_dias_60795d4aa2.jpg 216w,https://strapi.bangalore2.com/uploads/small_Leading_Their_Imperial_Highnesses_to_the_dias_60795d4aa2.jpg 500w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-42085">Kamaladevi Chattopadhyaya leading their Imperial Highnesses to the dias</figcaption></figure>From UNESCO Awards to the Padma Vibhushan, her legacy endures in every artisan earning a dignified living today.Kamaladevi died in 1988, but her question echoes: What does freedom mean without bodily autonomy, economic independence, and cultural sovereignty?As you explore her work—and I hope you will—ask yourself: What would Kamaladevi be fighting for today?<div class="raw-html-embed"><iframe width="640" height="360" src="https://www.youtube.com/embed/G_sxvcXO0tg" title="Kamaladevi Chattopadhyay and the Idea of Cultural Sovereignty by Priyanka Jha | New Series | EP 02 " frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen=""></iframe></div></div></div>

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Kamaladevi Chattopadhyay: The Woman who taught Gandhi a Lesson

<div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(51, 51, 51);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">Shuruart Foundation has been using art to make education more joyful and effective since 2017. Does your child often draw the same thing again and again? Should parents be worried if this happens? In this episode of Child and Art: Myths &amp; Facts, we talk about why children repeat drawings and what it really tells us about their confidence and emotional growth. Learn how your positive feedback and encouragement can help your child express freely, think creatively, and build genuine self-confidence. Watch the video to learn more.</div></div>

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Same drawing again? Is that good or bad for your child’s growth?

<div class="post-featured-image" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(51, 51, 51);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px 0px 50px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">&nbsp;</div><figure class="image"><img style="aspect-ratio:undefined/undefined;" src="https://strapi.bangalore2.com/uploads/Wearing_My_Face_Before_a_Media_that_Has_the_Power_to_Make_and_Unmake_4_optimized_100_f65d7f55f3.png" alt="Wearing_My_Face_Before_a_Media_that_Has_the_Power_to_Make_and_Unmake_4_optimized_100.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Wearing_My_Face_Before_a_Media_that_Has_the_Power_to_Make_and_Unmake_4_optimized_100_f65d7f55f3.png 245w,https://strapi.bangalore2.com/uploads/small_Wearing_My_Face_Before_a_Media_that_Has_the_Power_to_Make_and_Unmake_4_optimized_100_f65d7f55f3.png 500w," sizes="100vw" width="undefined" height="undefined"></figure><div class="post-featured-image" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(51, 51, 51);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px 0px 50px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">As advocates, our lives are consumed by briefs and arguments, leaving little room for leisure. For me, the finest pastime is research and writing, a legacy I proudly inherit from my late grandfather, Shri S.A.A. Rizvi, IAS (Retd.). He was a gold medallist and a remarkable scholar of his times. His example instilled in me the conviction that the pursuit of knowledge is not merely an adornment, but a discipline that enriches both profession and personality.</div><div class="post-body clearfix single-blog-header single-blog-inner blog-single-block blog-details-content" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);box-sizing:border-box;color:rgb(51, 51, 51);font-family:Manjari;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="entry-content clearfix" style="box-sizing:border-box;counter-reset:footnotes 0;margin:0px;padding:0px;">It was in this spirit that a casual exchange with my colleague Nadeem Murtaza at the High Court rekindled this passion. His query, whether I had ever heard of “Douglas” or “Kinnaird Hospital” of Lucknow was not a passing remark, but a spark that illuminated a forgotten chapter of Lucknow’s medical heritage. His mother, Zahida Auntie, had often spoken of it, pointing to the site near today’s Lari Cardiology Centre, where the geriatric and mental health departments of KGMU (King George Medical University) now stand. That conversation became the bridge between my inherited love for inquiry and the living memory of our city, compelling me to delve into archives and dissertations, and to uncover the remarkable story of a hospital that once stood shoulder to shoulder with Queen Mary and Lady Dufferin Hospitals in Lucknow.&nbsp;<figure class="wp-caption aligncenter" style="box-sizing:border-box;clear:both;display:block;margin:15px auto;max-width:100%;padding:0px;width:426px;" id="attachment_41918" aria-describedby="caption-attachment-41918"><img src="https://strapi.bangalore2.com/uploads/Kinnaird_Memorial_Hospital_1_1_1024x666_2b0c4cee0d.png" alt="Kinnaird-Memorial-Hospital-1-1-1024x666.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Kinnaird_Memorial_Hospital_1_1_1024x666_2b0c4cee0d.png 240w,https://strapi.bangalore2.com/uploads/small_Kinnaird_Memorial_Hospital_1_1_1024x666_2b0c4cee0d.png 500w,https://strapi.bangalore2.com/uploads/medium_Kinnaird_Memorial_Hospital_1_1_1024x666_2b0c4cee0d.png 750w,https://strapi.bangalore2.com/uploads/large_Kinnaird_Memorial_Hospital_1_1_1024x666_2b0c4cee0d.png 1000w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41918">Lady Kinnaird Memorial Hospital</figcaption></figure>The story begins in 1875, when Elizabeth Bielby, a nurse sent by the Zenana Mission Society, began her medical mission near Lucknow. Though beset by tragedy, her sister Alice died soon after arrival, and Bielby herself fell gravely ill, the mission still endured. By 1891, through the efforts of Dr. Grace Mackinnon, the Lady Kinnaird Memorial Hospital was established on government-granted land, named after Lady Kinnaird. She was a devout Presbyterian philanthropist remembered for founding the YWCA.&nbsp;<figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:416px;" id="attachment_41915" aria-describedby="caption-attachment-41915"><img src="https://strapi.bangalore2.com/uploads/CMS_CRL_IW_1899_08_0007_cropped1_7b434dba61.jpg" alt="CMS_CRL_IW_1899_08_0007-cropped1.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_CMS_CRL_IW_1899_08_0007_cropped1_7b434dba61.jpg 244w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41915">England Zenana Missionary Society</figcaption></figure>In 1910, Dr. Ethel Douglas took charge, and for the next 36 years she transformed the institution, expanding facilities, raising standards, and establishing training protocols that led to the North India Board of Examiners and State Registration Councils. Her dedication earned her the Kaiser-i-Hind Medal in Gold in 1927, and government grants that enabled new wards and modern equipment. As Beth Bullock Spencer’s dissertation records, Douglas’s “extraordinary influence” kept the Lucknow hospital “overflowing,” even as she grappled with challenges ranging from reluctant purdah patients to the infamous monkey menace.“Even the veteran doctor Ethel Douglas struggled to find a solution to the monkey problem, for some of the local people regarded the monkeys as sacred; harming the monkeys was out of question. Douglas resorted to shouting and shaking her rifle at the monkeys, but with little effect.”Snakes, too, were a recurring hazard, and cultural beliefs often complicated medical practice. Patients observing purdah resisted operations, some postponed surgeries at the last minute deeming the hour “inauspicious,” while others consulted village elders who determinedhe hospital became a sanctuary for women’s health, normalizing dental extractions, eye surgeries, and maternity care in a city where traditional practices often prevailed.The British contribution to Lucknow’s health system was profound. Alongside Lady Kinnaird Memorial Hospital, the Lady Dufferin Hospital was established in 1889 under the Countess of Dufferin Fund to provide safe maternity care. Later, the Queen Mary’s Hospital arose in the early 20th century as a centre for women’s medical education. Together, these institutions marked the colonial effort to embed Western medicine into the city’s fabric, particularly for women and children. They were not merely hospitals but symbols of reform, philanthropy, and the gradual acceptance of modern medical practices in a society negotiating tradition and change.<figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:396px;" id="attachment_41916" aria-describedby="caption-attachment-41916"><img src="https://strapi.bangalore2.com/uploads/Lady_Dufferin_Hospital_Virabijee_Katrak_Maternity_Wing_768x432_4cbd6e4487.jpg" alt="Lady_Dufferin_Hospital-_Virabijee_Katrak_Maternity_Wing-768x432.jpg" srcset="https://strapi.bangalore2.com/uploads/thumbnail_Lady_Dufferin_Hospital_Virabijee_Katrak_Maternity_Wing_768x432_4cbd6e4487.jpg 245w,https://strapi.bangalore2.com/uploads/small_Lady_Dufferin_Hospital_Virabijee_Katrak_Maternity_Wing_768x432_4cbd6e4487.jpg 500w,https://strapi.bangalore2.com/uploads/medium_Lady_Dufferin_Hospital_Virabijee_Katrak_Maternity_Wing_768x432_4cbd6e4487.jpg 750w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41916">Lady Dufferin Hospital, Lucknow</figcaption></figure>By 1965, however, Lady Kinnaird Memorial Hospital succumbed to financial constraints and closed its doors. In 1971, the site was absorbed into King George Medical College, now popularly known as KGMU, housing its neurosurgical and mental health departments. Today, its memory lingers only in archives and recollections, overshadowed by its contemporaries. Yet, its legacy remains unique – a Christian missionary hospital that combined philanthropy, medical progress, and social reform. A place where doctors braved not only disease but monkeys, snakes, and cultural resistance to bring care to the women of Lucknow. An institution that has produced some of the world’s finest medical professionals, researchers and administrators. The pictures of these alumni are featured below.&nbsp;<figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:276px;" id="attachment_41910" aria-describedby="caption-attachment-41910"><img src="https://strapi.bangalore2.com/uploads/download_4_26ce212e58.png" alt="download-4.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_download_4_26ce212e58.png 235w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41910">Dr. BM Hedge – Alumni of KGMU</figcaption></figure>&nbsp;<figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:293px;" id="attachment_41911" aria-describedby="caption-attachment-41911"><img src="https://strapi.bangalore2.com/uploads/download_5_c239ac1c62.png" alt="download-5.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_download_5_c239ac1c62.png 245w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41911">Dr. Sanduk Ruit – Alumni of KGMU</figcaption></figure>&nbsp;<figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:300px;" id="attachment_41912" aria-describedby="caption-attachment-41912"><img src="https://strapi.bangalore2.com/uploads/images_1_d076bb83d3.png" alt="images-1.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_1_d076bb83d3.png 245w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41912">Dr. Naresh Trehan – Alumni of KGMU</figcaption></figure><figure class="wp-caption alignnone" style="box-sizing:border-box;display:block;margin:15px auto 10px;max-width:100%;padding:0px;width:211px;" id="attachment_41913" aria-describedby="caption-attachment-41913"><img src="https://strapi.bangalore2.com/uploads/images_1_1_300x300_b57c8c7015.png" alt="images-1-1-300x300.png" srcset="https://strapi.bangalore2.com/uploads/thumbnail_images_1_1_300x300_b57c8c7015.png 156w," sizes="100vw" width="undefined" height="undefined"><figcaption class="wp-caption-text" style="box-sizing:border-box;display:block;font-size:15px;line-height:20px;margin:0px;padding:12px 0px 0px;text-align:center;" id="caption-attachment-41913">Dr. Anil Kohli – Alumni of KGMU</figcaption></figure>As I reflect upon this heritage, I am convinced that Lucknow’s medical history is incomplete without acknowledging the forgotten jewel that was Lady Kinnaird Memorial Hospital. Its story is not merely of bricks and mortar, but of pioneering women doctors, missionary zeal, and the evolution of healthcare in colonial and post-colonial India. Remembering it is essential to preserving the dignity of our city’s cultural and medical legacy.</div></div>

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